2007-08-26

Musicserver Review!



Well if Pop Matters was a breakthrough this was a miracle! After posting this review in it's original Czech musicserver.cz form almost two months ago I finally got an answer to my plea for a translation! None other than from the reviewer himself Dan Hajek! Here is what he thinks of "Is This The Blues I'm Singing?"....

"Richard, don't give it up and pass it on!"

The world of internet enables amazing things and will probably keep surprising us with its possibilities. The album "Is This The Blues I'm Singing?", which landed in our office more or less accidentally, is one of such surprises. This album was recorded by Richard Reagh, who combines elements which are almost incompatible, yet the final effect is impressive. His creativity does not wear off - and it triggers off a good mood.

As already mentioned in our text "A Week in the Pop (10.)", we got the album "Is This The Blues I'm Singing?" purely accidentally, based on a couple of accesses from our regular section "Jukebox", which contained links to two tracks. Somebody from the team surrounding Richard Reagh made that special effort not only to find where the site had been accessed from - but also find the address of our editorial office. I have also downloaded the couple of songs - "Hangin' On A Limb" and "Winter Light" - myself, got to like them, and then decided to do a review of the entire album. To my surprise, though, I found out that the two songs are meant to mislead you. "Is This The Blues I'm Singing?" welds many styles and folk is only their essential link. Richard is a hell of a joker, laptop wizard and a songwriter in one.

Native of Vancouver, who eventually settled in Swedish Värmdö, recorded his first album in cooperation with many guests and DJs. Before this, he released two EPs ("Outlaw" and "Extended Play"). All this he did through his own recording label This Is Pop. When recording, he used whatever affected him through his life and glued it into a fancy jigsaw. Beside his own compositions, there is also room for a splendid cover of "Hangin' On A Limb" from Neil Young's songbook. Along with placid songs, you can find a couple of true hits, which make it straight to your heart, such as "Winter Light". This smash hit is nicely accompanied by tracks "Colour Of The Birds" and "No One Really Wants To".

However, what Richard enjoys the most is creating acoustic loops and recording some kind of disco, yet without the retro pathos of the 80s. His approach joins and layers retrieved bits, which he then shapes in his laptop: "The P-Song" is a typical illustration of such process. On the other hand, he can make you move with his beatbox, distorted by a vocoder in "Alive", "Outlaw 3.0" is interwoven with 70s hit samples, while the electro country "Squirrel Man" just perks you up - and so on and so forth. I will, however, mention yet another milestone: the track "Self Esteem" is represented on the album twice - you can find it right at the end, under the name "Bread & Butter" in the original, purely acoustic version.

"Is This The Blues I'm Singing?" is full of entertaining references and parallels, which can be at home at any party. Richard Reagh prepared fast songs, as well as tracks which make you snug up to your baby. OK, then, mix yourself enough Tequilla Sunrise and go for the ride - it's worth every minute of it!

P. S.:
When visiting Richard's site, not only you can watch the videos from the gig in the Zita hall, but you can also download all remixes of his singles. You find plenty of them there.

Pop Matters Review


This was an amazing breakthrough even if they did think I sounded like Kermit. Well in my books that's a compliment!! Have a read and see what you think....

Richard Reagh
Is This the Blues I’m Singing (This Is Pop)
by Jason MacNeil

Richard Reagh is a Canadian but perhaps like other Canucks, such as Danko Jones, Reagh has found a new audience in Sweden. The musician’s new album doesn’t have him singing the blues, but instead he relies on a nice Pet Shop Boys-ish backbeat during the poppy “The P-Song” which brings to mind Baby Dayliner. Another little gem is “Boo Backe” which is a bit lighter but just as pleasing. The same can be said for the festive, danceable “Outlaw 3.0”. However, not everything Reagh touches is gold, as is the case with the moodier “Me Too (Studio Version)” which brings a latter day Depeche Mode to one’s noggin. Reach’s pipes can also make one believe they’re listening to Kermit (the muppet), especially on the rather barren “Hangin’ on a Limb”. It’s a small price to pay though when El Perro Del Mar accompanies him on the song. Perhaps the highlight on the record is the punchy, jazz-tinged “No One Really Wants To” which falls alongside an upbeat Greg Dulli and The Twilight Singers. The homestretch tracks include the toe-tapping fun of “Alive” while the closing “Bread & Butter” has traces of Neil Young throughout.

A Flake of My Life....


It's been almost two months since my last post and after a reminder from mårthen I thought I better get my act together update everybody!

Basically I'm writing a new bunch of songs for a new album. I'm just about to finish "song 9". The reason why I'm thinking in numbers is that(knock on wood)I always have lots of ideas floating around. It's just a matter of picking the best ones AND deciding which ideas or songs fit together.

The other big surprise that I'm "waiting on" is the possibility of working with an outside producer. So as I finish each new song(demo)I send it it by gmail and wait for a reaction! So far so good. Hopefully after a couple of more songs(in about a month), I will have an answer and tentative dates for recording and maybe even releasing a new record!

And my apologies for not writing more lately. It's just once I start sitting in front of my laptop I tend to do more than just post the latest news....good thing..bad thing....